The word adventure always has an exciting component that transports us to places generally open, very cold, very hot, very humid, very steep, risky and sometimes at high speed. If adventure or extreme sports are not simple to practice or suitable for anyone, as a photographer, they are not easy to photograph, since they require not only enough technical knowledge, but also enough knowledge of the sport or extreme activity that we want to photograph. Surely extreme photographers like both activity and photography, but surely they started with the activity and from there arose the desire to portray it. Be that as it may, the first ingredient of extreme photography is to know the sport we want to photograph to do it as safely as possible. For example, I would not recommend anyone photographing an expedition to K2 without much prior training. A previous knowledge of the sport will not only be safer for your physical integrity but it will help you to know the best angles to photograph it, the safest places, the best frames and even the best material to do it. It is not the same to photograph some freestyle jumps in the snow than a limestone rock climbing session or a diving session.


No one better than you, if you are fond of extreme sports, knows what context you will have to face when choosing the necessary material for your photo shoot. However, we will see in general, what basic material is recommended to start in extreme sports photography.


The DSLR or SLR are the recommended classics thanks to the possibility of controlling them manually, exchanging the lenses, adapting an external flash and generally having more accessories. However, they are not the only option to contemplate, some EVIL and even some very advanced compact have nothing to envy to the reflexes of a lifetime. But let's see what to consider when choosing a camera to photograph extreme sports:
  • Body sealed against dust, splashes, etc.
  • Resistance to extreme temperatures : You must take it into account if what you are passionate about is sports in the snow or in the desert since the cameras usually fail under extreme temperatures. The more you support your camera, the better.
  • Number of frames per second : Based on the fact that many extreme sports happen quickly, having a good number of frames per second, can make the difference between getting the image and not doing it.
  • Weight : It is not the same to be able to install your “mamotreto” on a tripod and wait, that having to carry it while you practice climbing, right?
  • Analog : Yes, do not panic In some cases such as very extreme temperatures at below zero, the batteries discharge very fast and the screens freeze, so some photographers opt for analog photography to solve this problem. So if you find yourself at -20 degrees and your digital fails, you can try


Unlike other sports, extreme sports are usually practiced outdoors and usually have difficult access for those who want to photograph them, so, unless we attend a competition in a closed place, we will assume that we will "face ”To those images in the open field.


Unfortunately, not everything is black or white with respect to the decision to choose between a fixed focus or a zoom. Broadly speaking, the advantages of fixed optics are its higher image quality and its greater brightness at a much lower price than zoom lenses of equal brightness. On the contrary, a fixed optics limits when approaching or moving away from the scene in an agile way, and implies that we should do that movement, which is not always possible or easy. The optical zoom allow us to get closer or away from the scene instantly, but are generally less bright optical and less sharp.


The choice between an optic with a focal length or another, basically lies in the distance at which it is expected that you can be located to photograph the scene.
    • Wide Angle: If you can get close enough to the main scene, this objective will allow you to accompany the center of interest of your image including the context in the frame. And thanks to its angle and distortion it will allow you to have very interesting perspectives.
    • 50mm: If you can move freely around the scene and control the distance, this is a great goal because of its sharpness, its great luminosity and its low weight.
  • Telephoto: If you plan to photograph the scene from a distance, getting one of these is almost mandatory. Consider a focal length of 200mm, as bright as possible, or at least as bright as you can afford and if possible with a stabilizer if your camera body does not have one.


Surely you have seen in many sporting events photographers carry huge tripods to support their huge cameras and even more huge lenses, right? Well, it is normal, they usually use such long focal points to approach the scene, (football matches, athletics, formula 1, etc.) that they usually need a lot of stability in their teams. However, extreme sports are usually performed in somewhat less ideal scenarios to carry a tripod and, as we have said, usually involve some kind of physical effort on our part. If this is your case, it is best to leave the tripod at home and trust that there is enough light, that your goal is bright enough or in your good pulse In case you do not need to move too much to photograph the scenes and the weight is not a great inconvenience, do not hesitate to be accompanied by a good tripod , it is better that you do not miss it, especially if you are not going to have to load it. An intermediate alternative in weight and performance could be a monopod , which will give you more freedom of movement than a tripod, and more stability than shooting by hand.


In adventure sports, you will find virtually every possible light situation: backlights , low light , a lot of contrast between illuminated and shaded areas, and so on. A good external flash that allows you to synchronize it at high speeds when you need it, freeze the movement, act as a fill flash or illuminate dark areas, will become your great ally if you know how to take advantage of it. This way you can keep the ISO at scratch (the more ISO the more noise in the image) and get sharp and perfectly exposed images.


A good backpack that protects your equipment and your back well is essential if you want to go out to photograph adventure sports. Try to be waterproof, lightweight, with a compartment for everything, and practical when it comes to accessing its compartments.


If you are going to spend the day photographing, the ideal is that you do it in the most comfortable and safe way possible. Therefore, it is important that you take care of all the details of your equipment, including which strap is more comfortable and adapts better to your photographic style. If what you need is to have the most unoccupied arms possible, there are harnesses for SLR cameras that can be very useful in certain situations.


If you shoot in a burst to try to capture that decisive moment, in a short time you can run out of battery and / or without space on the memory card , so under no circumstances forget to add extra batteries and memory cards that you anticipate that you will need.


Each sport has its peculiarities, so we can never generalize when choosing the necessary material to do it. Many times you will have to start from a base and add or remove according to your style of photography, and based on trial-error. However, there are many specialized accessories, from waterproof boxes and specialized flashes for underwater photography, waterproof covers for water sports or rainy days, and so on. There are also other types of cameras designed for extreme sports photography such as GoPro , which with a wide-angle lens, its small size, its waterproof case and its many accessories (adaptable to the helmet, harnesses, tripods, etc.) becomes the classic for action photographers. And although GoPro is currently the best known, there are other alternatives of different qualities and prices: Polaroid Cube , Sj4000 , or Rollei actioncam , and so on. At the moment they do not have the quality of a SLR camera, but they are practical, they weigh nothing, and they can give you very interesting images thanks to their angular optics and the points of view that you can obtain with them. Of course, you will not be able to control practically anything as far as adjustments are concerned. If you are one of those who enjoy the outdoors practicing or watching some kind of mountain or sea sport, you have a camera, and you had never taken it with you, maybe the time has come for you to be encouraged, don't you think? What could be better than combining two passions at the same time? I hope you found it useful. If so, share it with someone else or another adrenaline junkie, you will surely appreciate it . Thank you very much!

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