TIPS FOR TAKING PICTURES (ADEQUATE) FOR A CURRICULUM

Although the trend of resumes without photography begins to be implanted more and more, the truth is that in some areas of the planet it seems that we are still far from dispensing with it. So a good curriculum photograph becomes essential when it comes to finding work, because, like it or not, it is usually part of the first impression that the person who reads it about us receives. A lot of information can be extracted from a curriculum photograph, beyond whether we are more or less handsome, young or old, our image speaks of our personality, of our perfectionism, neatness, and even of our character. A selfie made with the mobile phone scattered on the beach does not convey the same impression as a professional studio photo, right?

1. GO TO A PROFESSIONAL

It is the best way to make sure you have good results when it comes to getting a good resume photograph. The studies where these types of images are made already have a background or a correct illumination so that your image is satisfactory. However, many of us do not like to have these types of photos taken, am I wrong? And then the consequence is that you come out with a face that ahem… it seems little like the good impression you want to convey about yourself. For this you have no choice but to do it yourself, which will allow you to do an unlimited number of tests until the result satisfies you.

2. USE A TRIPOD

Either you have a friend or friend with a few notions of photography or the best thing is that you organize the photography yourself, that you do have them. For this, it is best that you get a tripod and a remote trigger . If the picture is for someone else, you can work freehand as long as you have enough light so that the image is perfectly clear.

Use a tripod

2. CHOOSE A SUITABLE FUND

It is very important that you be careful with the background. Nothing to take pictures in the kitchen, with the TV on behind, or taking something on the terrace on duty. Neglecting the background conveys little seriousness or neglect. It's as easy as looking for a solid colored neutral background. You can use a smooth wall of your house or some exterior. If you want to be something more original, you can contextualize your image with other types of backgrounds, for example exteriors , but always chosen carefully and with special care so that you do not lose prominence.

3. MEDIUM PLANE

Unless you are looking to be a model of eyes or nose, the ideal is to run away from the very first close- ups. Although the idea that a photo of cv should simply be a photo of the face is quite widespread, a medium shot is ideal, since we It allows to show much more about us than a simple face. A medium plane speaks of our pose, our clothing, our expression, and so on.

Middle plane

4. COMFORT

To avoid forced poses that are reflected in our expression, it is best to look for a position where you are comfortable, feel relaxed and, therefore, your personality flows naturally before the camera. You can lean lightly on a wall (eye with the shadows you can cast behind) or sit on a chair or on a stool.

5. POINT OF VIEW

Any inclination of the camera with respect to the protagonist of the image, you must take it into account when taking any photograph because, although it seems somewhat outdated, the truth is that both a slightly chopped scene and a chopped counter, transmit totally different sensations . For example, if we sting the point of view (the camera slightly above the portrayed subject), the feeling we transmit to the viewer of the image is humility or fragility. On the other hand, if we slightly chop the angle (from bottom to top), the impression is of strength and greatness. On the other hand, a point of view at a right angle creates an effect of empathy between the subject and the viewer, as well as stability and peace. Choosing one or the other will depend on your personality and even the position you choose.

6. THE FACE AND ITS EXPRESSION

As much as we do not make a very close-up, the face is probably what we analyze most human beings from each other. The look or expression is your main letter of introduction. A slight smile and a direct and friendly look at the camera (of course avoiding frowning or other similar attitude ) is usually the most advisable. Although, of course, it depends on you, your personality and what you want to convey.

Watch the expression

7. THE LIGHTING

The easiest thing is that you work with natural light , if possible, the soft light of the first and last hours of the day, which is the most favorable for any portrait. This light is soft, warm and diffuse , so it does not create annoying shadows on the face and naturally favors the features. Try approaching the windows. If the light is too strong, use a thin curtain as a diffuser. If you need to work with flash, bounce it on a clear surface or get a diffuser screen for it. The direct light of the flash is usually too hard and leaves us with cold and unreal images. Oh, and the integrated camera, we better not talk, just forget it

Take advantage of natural light

8. WORK WITH LARGE DIAPHRAGM OPENINGS

I will not say that you use the maximum aperture of the diaphragm just in case you have a king of the f / 1.4 aperture objectives , because it would be too shallow depth of field, but you do work with large openings. Not only will it allow you isolate your protagonist to focus your interest on blurring the background, but you will have more light to work with, which will allow you to use higher shutter speeds to avoid shaking or movement in the image.

9. LOOKING AT CAMERA AND FOCUS ON EYES

Remember that it is a more informative than artistic image and how important the look is when we want to portray someone. Isn't it true that a camera look is more natural than one that looks in another direction? Also, remember to focus your eyes well; a good focus on the eyes is already half an image achieved

Looking at camera and focus on eyes

10. COSTUMES

Do not neglect your appearance, remember that I have recommended a medium shot, which implies that, from the waist up at least, your costumes will be a leading part of the scene, just like your hairstyle, your beard or your makeup, if you carry it Everything must be adapted to the type of work to which you apply. I imagine that if you are a surf teacher on a Hawaiian beach you will not necessarily need to wear a rigorous dark suit, but if you apply for a managerial position at a bank, there is no doubt that you do.

11. ALWAYS USE AN UPDATED IMAGE

Always use a photograph as recent as possible. When we finally find an image in which we look good, in which we recognize ourselves, we like each other and believe that it speaks perfectly to us or that it has worked well for a while, we usually settle in it and exploit it to the fullest. But time passes, and no matter how well you keep yourself, don't fool yourself, you get old No photos are worth 10 years ago, or with 15 Kg less or more. Your image should be as faithful as possible to your current self, otherwise the impression that will be received by those who interview you when they meet you will be deceiving. Bad way to start, don't you think?

12. PERFORM SEVERAL TESTS

Do not be afraid to do several tests and keep the image that best suits you, the one that you think best represents you and the most suitable for the position you choose. That is all. What do you think of these tips? Would you add any more? I hope you found this article useful. If so, you know, share it on your favorite social network. Thank you very much and until the next article

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